This portfolio examines and explores the theme of agency in visual art and considers the means through which mark-making is achieved. Taking drawing as the most immediate form of mark-making, the following pieces consider how the action of applying mark to a ground can be manipulated to explore concerns of chance, intention and indeterminacy.

By devising and adapting new and existing systems and strategies of mark-making, the following pieces employ and harness various means of movement, force and agency to create intimate and sensitive transcriptions.